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The point here is that they don't even NEED character building- they represent the threat and actuality of sexual violence that women face every day. Nothing is even said about the backgrounds of their characters- they are totally faceless within the context of the film (other than one long shot later on which shows one of the men with his family- merely proving him to be a liar and cheat as well as a rapist). The men presented in I SPIT ON YOUR GRAVE are nothing to emulate.
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Sanitising the scenes that are supposedly "exploitative" would trivialise the very serious issues at hand. This is expressed superbly in the sequences in this film. The revolting sight of sweating, grunting men is absolutely anti-sexual and anti-erotic, which is of course EXACTLY what it should be in this context! Rape has little to do with sex, and a great deal more to do with violence and power. Furthermore, a lot of the scenes are shot from the victim's perspective. The scenes are shot practically real-time which brings home the gritty and sickening nature of what is being displayed. There is no kind of glorification of rape here. The scenes are horrific, grueling and ugly. In this case, this is far from the truth. It seems that a lot of critics think that by proxy, long scenes of violence equal pure exploitation.
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Much is made of the fact that the rape scenes last for around forty minutes. I SPIT ON YOUR GRAVE offers a truly subjective message in that it presents gritty reality and leaves the viewer to make up their mind on the matter. Similarly he offers no moral judgment on the revenge that is carried out by the female protagonist. Zarchi doesn't praise the rapists- nor does he condemn them. However, it goes even deeper than this in this particular case. In essence, films of this type ARE exploiting the subject of rape (and sadly, often presenting it in a sexually ambiguous way) but does this mean that they are not able to condemn the subject matter, or offer a powerful criticism of the behaviour of many men towards women? The same school of argument is used against critical film-making like CANNIBAL HOLOCAUST- can a film truly condemn what it exploits? I believe so, and I SPIT ON YOUR GRAVE is a triumphant example of this, putting forward more powerful a message about violence of rape and the attitudes of some men towards it than any other movie I care to mention. The whole "rape/revenge" genre is one that is fraught with moral contradictions. That is the last thought that crosses my mind whilst watching this. A worryingly high percentage of them accuse this movie of somehow advocating rape, and being sexist and demeaning. I've read a large number of reviews of this film. Certainly, the title and advertising campaign (in classic exploitation fashion) was garish and contentious, but unlike some other films that suffered the same fate (such as SS EXPERIMENT CAMP), Zarchi's film is extremely powerful and disturbing. I SPIT ON YOUR GRAVE joins a select few as being one of THE films cited for causing the most problems at the time. only much, much worse.Of all the films that were implicated in the absurd and sickening tabloid-fueled "video nasties" witch-hunt in the UK, some were demonised more than others. Now, with hell bent vengeance, Jennifer's sole purpose is to turn the tables on these animals and to inflict upon them every horrifying and torturous moment they carried out on her. Against all odds, Jennifer Hills survived her ordeal. But before they can kill her, Jennifer sacrifices her broken and beaten body to a raging river that washes her away.Īs time passes, the men slowly stop searching for her body and try to go back to life as usual.
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However, what starts out as terrifying acts of humiliation and intimidation, quickly and uncontrollably escalates into a night of physical abuse and torturous assault. But Jennifer's presence in the small town attracts the attention of a few morally deprived locals who set out one night to teach this city girl a lesson. Summary: I Spit on Your Grave retells the horrific tale of writer Jennifer Hills, who takes a retreat from the city to a charming cabin in the woods to start on her next book.